复旦大学哲学学院青年研究员，策展人。近年策划“疆域：地缘的拓扑”(2017-2018）、“没有航标的河流，1979” （2019）、“靡菲斯特的舞步” （2021) 等展览。在《文艺研究》《美术研究》《二十一世纪》等刊物发表多篇论文。近著有《美术变革与现代中国：中国当代艺术的激进根源》（2020）、《裂变的交响：20世纪中国艺术的三个当代时刻》（2021)、《前卫的承诺：〈十月〉访谈录》(2023）等。2015年获得何鸿毅家族基金中华研究奖助金；2016年获得vishu中国当代艺术写作奖;2017年获得美国亚洲文化协会奖助金 (ACC)；同年，获得第10届中国当代艺术评论奖(CCAA)；2019年获得中国当代艺术奖(AAC) 年度策展人奖。
Young researcher and curator at the School of Philosophy, Fudan University. In recent years, he has curated exhibitions such as "Territory: The Topology of Geography" (2017-2018), "Rivers Without Beacons, 1979" (2019), and "Mephistopheles' Dance" (2021). Published many papers in publications such as "Literary Research", "Art Research", and "21st Century". His recent books include "Art Revolution and Modern China: The Radical Roots of Chinese Contemporary Art" (2020), "Symphony of Fission: Three Contemporary Moments in Chinese Art in the 20th Century" (2021), and "The Promise of the Avant-Garde: Interviews with "October" 》(2023) etc. In 2015, he won the Robert H. N. Ho Family Foundation China Research Grant; in 2016, he won the Vishu Chinese Contemporary Art Writing Award; in 2017, he won the Asian Cultural Council Grant (ACC); in the same year, he won the 10th Chinese Contemporary Art Critics Award (CCAA). ; In 2019, he won the Curator of the Year Award from the Chinese Contemporary Art Awards (AAC).
