一位艺术史学家、评论家和策展人，常驻马尼拉和纽约。他是纽约现代艺术博物馆的东南亚和东亚 C-MAP 研究员。他曾是盖蒂基金会连接艺术史项目召集的非洲、南亚和东南亚现代艺术史 (MAHASSA) 研究平台的研究员。他为 e-flux、Frieze、Artforum 等出版物撰写展览评论。他的论文是《Writing Now》（马尼拉：菲律宾当代艺术网络，2019 年）、《从展览史走向展览制作的未来：中国和东南亚》（柏林：Sternberg Press，2019 年）和《SEA：东南亚当代艺术》（柏林：Weiss Publications，2022 年）等书籍的一部分。他是马尼拉雅典耀国家作家工作坊和 2015 年香港首届 Para Site 新兴专业人士工作坊的校友，也是 2016 年 LUMA 基金会在阿尔勒主办的“机构如何思考”研讨会的学者参与者。2017 年，他是首尔 MMCA 的驻留研究员，也是柏林和孟买跨策展学院的研究员。他于 2019 年在香港策划了“行动路线”，并共同策划了在新加坡（2021 年）、马尼拉（2021-2 年）和釜山（2022 年）巡回展览系列“非洲-东南亚：冷战期间艺术的实用主义和地缘诗学”。他是“群岛未来主义”展览系列的策展人，该展览系列曾在马尼拉、纽约、吉隆坡和香港展出。他是2024年第60届威尼斯双年展菲律宾馆的策展人。
An art historian, critic, and curator based between Manila and New York. He is the C-MAP Fellow for Southeast and East Asia at the Museum of Modern Art in New York. He was a fellow of the research platform Modern Art Histories in and across Africa, South and Southeast Asia (MAHASSA), convened by the Getty Foundation’s Connecting Art Histories project. He has written exhibition reviews for publications such as e-flux, Frieze, Artforum, among others. His essays are part of the books Writing Presently (Manila: Philippine Contemporary Art Network, 2019), From a History of Exhibitions Towards a Future of Exhibition-Making: China and Southeast Asia (Berlin: Sternberg Press, 2019), and SEA: Contemporary Art in Southeast Asia (Berlin: Weiss Publications, 2022). He is an alumnus of the Ateneo National Writers Workshop in Manila and the inaugural Para Site Workshops for Emerging Professionals in Hong Kong in 2015 and was a scholar participant of the symposium“How Institutions Think”hosted by LUMA Foundation in Arles in 2016. In 2017, he was a research resident in MMCA Seoul and a fellow of the Transcuratorial Academy both in Berlin and Mumbai. He curated Courses of Action in Hong Kong in 2019 and co-curated the traveling exhibition series Afro-Southeast Asia: Pragmatics and Geopoetics of Art during a Cold War in Singapore (2021), Manila (2021-2), and Busan (2022). He is the curator of the exhibition series Archipelagic Futurisms, editions of which has been presented in Manila, New York, Kuala Lumpur, and Hong Kong. He is the curator of the Philippine Pavilion at the 60th Venice Biennale in 2024.
