2000 年出生于中国上海，现于华东师范大学攻读研究生。个人的叙事和社会事实不是泾渭分明的领域，相反地，以艺术家个人经验出发的实践往往会和更大的公共事件紧密相连。艺术家希望通过种种主题性的创作，去引导观者重新审视自我处境。其作品也被《艺术当代》、《IDEAT理想家》、《安邸 AD》、《FIGARO 费加罗》等主流杂志广泛报道。
艺术家思索绘画的本质，画面中极具个人风格的色彩和造型，蕴藏着饱含时代特征的隐喻。在时代洪流中应运而生的种种观念是艺术家尝试在不同的、甚至割裂的价值观体系与空间缝隙之中盘旋与探索的结果。艺术家以自我的所见所思作为起点，关注并揭露生活中的矛盾意识，借此达到重塑现在(Reframing the Present)的目的。艺术家擅长运用大胆坚定的笔触塑造人物的生活情节，以奇异的色调、乖张的造型呈现出陌生面矛盾的日常场景，使得作品更具超现实主义的表现力。其描绘的画面似乎已经在某个戏剧性的节点凝固不动，却又暗含着推动事件发生的隐情，引导观者遐想隐藏在背后的更为宏大的叙事:在如今世界极端气候频发,地区冲突不断升级的大背景下，多数个体的命运亦如艺术家所表现的人与动物一般被笼罩在一层阴霾中，只得于沉默中嘶吼，来抵抗种种不安。
Born in 2000 in Shanghai, China, Artist Ni Hao is currently a postgraduate student at East China Normal University. Personal narratives and social facts are not separate domains; rather, the practice of the artist's personal experience is often closely linked to larger public issues. Through various thematic works, the artist hopes to lead the viewer to re-examine their individual situations. His work has been widely featured in mainstream magazines such as <ArtChina><IDEAT><AD/Architectural Digest> and <FIGARO>.
The artist contemplates the nature of painting, and the highly personal colours and shapes in his images contain a metaphor for the times. The various concepts that emerge from the current of the times are the result of the artists' attempts to hover and explore in the gap between different, even fragmented, value systems and spaces. The artists use what his observing and thinking as the starting point, paying attention to and exposing the contradictory consciousness of life, thus achieving the purpose of reframing the Present. Ni Hao is good at using bold and firm brushstrokes to portray the life episodes of the characters, presenting strange and contradictory daily scenes with strange colours and deviant shapes, making his works more surrealistic. The images depicted seem to frozen at a certain dramatic point, but it also implies a hidden agenda that drives the events, leading the viewer to think about the bigger picture hidden behind it. In today's world of extreme weather and escalating regional conflicts, the fate of most individuals is also covered in a layer of gloom, just like the people and animals represented by the artist, who have no choice but to hiss in silence to resist all kinds of uneasiness.
