1978年出生于上海，音乐家、艺术家，策展人，现生活于上海。其创作领域涉及：声音艺术、音乐、装置、表演、影像等。
1998年组建慢核乐队“死亡诗社”，任贝斯手兼主唱。2001年转向数字音乐创作。殷漪早期的音乐创作领域包括：现场音乐表演、现代舞、肢体剧场。委约其音乐作品的表演团体和编导包括“组合嬲”（上海）、Rubato舞团（柏林）、广东现代舞蹈团、谢欣舞蹈剧场、二高表演、郭睿。近年来殷漪的音乐实践主要集中于现场个人电脑音乐，基于实地录音的声境创作以及音乐在社会结构中的功能性探索。
在声音艺术创作中，殷漪的作品富有哲思与诗意。他对于公共空间的观察与思考敏锐且深度，相关作品兼具前卫与批判。他提出“听觉-声音空间”这一概念，尝试建立一套围绕此概念的工作方法，与其他学科建立跨领域合作。2020年殷漪与阿科米星建筑事务所联合创建“向声葵听觉空间设计工作室”。
殷漪参加的重要展览包括：上海当代艺术博物馆馆藏展（2025年）、第一届上海外滩建筑节（2023年）、第九届深港城市\建筑双城双年展（2022年）、上海城市空间艺术季（2019年）、越后妻有大地艺术祭（2018年）、第十一届上海双年展（2016年）、第二届深圳新媒体艺术节（2016年）、中国声音艺术大展（2013年）。
展示其作品的艺术机构包括纽约Harvestworks、上海当代艺术博物馆（PSA）、OCAT深圳馆、上海UCCA Edge、上海多伦现代美术馆、上海国际舞蹈中心、成都美术馆、北京声音艺术博物馆、上海明当代美术馆（McaM）、上海当代艺术馆（MoCA）、维也纳Unsafe + Sound Festival、深圳坪山美术馆、上海城市空间艺术季、香港文化中心等。
从2011年开始，殷漪持续关注前卫音乐和声音艺术的艺术生态，策划了声音艺术展“共振峰”、实验音乐交流项目“声音传输”、实验音乐节“合声”等。2012年，他与舞蹈编导刘亚囡共同创建专注于前卫音乐与当代舞蹈的艺术空间BM Space。2013年，受邀为上海外滩美术馆策划年度项目“声闻-亚洲实验音乐呈现”。2015年，受邀为OCAT上海馆策划年度系列圆桌论谈“Agora-广场”。2023年，受邀为上海首届外滩艺术节策划“RAM Assembles”音乐单元“为TA作曲”。2024年，受邀为上海多伦现代美术馆策划声音艺术文献展“听路：中国当代声音艺术实践”。2025年，受邀担任上海西岸美术馆“上海声音”文化研究员项目特邀策划人。
对于殷漪来说，艺术是自我治愈的良方，亦是思考与行动的试金石。
Born in 1978 in Shanghai, he is a musician, artist, and curator who now works and lives in Shanghai. Yin formed the Dead Poets Society in 1998, a slowcore band in which he was the lead singer and also a bassist. He turned to digital music three years later and his musical creation started to cover a wide range, e.g., live music performance, contemporary dance, and physical theatre. Commissioned by individual artists and modern dance groups, Yin’s works have been frequently heard in the performances of Zuheniao (Shanghai), Tanzcompagnie Rubato (Berlin), Guangdong Modern Dance Company, Xie Xing Dance Theatre, Ergao Performance, Guo Rui, and etc. In recent years, Yin started to focus on laptop music performance, field recording, and the functional exploration of music within a social structure.
In the creation of sound art, Yin is known for his philosophical and poetic ideas. His observation and reflection on public space is both acute and deep, and his works are both avant-garde and critical. He proposes the notion of “auditory – sound space” and attempts to establish a working method around this concept, bringing his praxis to the discourse of multi-disciplinary collaborations. In 2020, Yin Yi and Atelier Archmixing co-founded the “HELI-AURAL Studio.”
Yin has participated in many important exhibitions, including “Collection Series” of the Power Station of Art (2025), RAM Assembles (2023), Bi-city Biennale of Urbanism/Architecture, Shenzhen (2022); Echigo-Tsumari Art Field (2018); the 11th Shanghai Biennale (2016); Shenzhen New Media Art Festival (2016); and Sound Art China, Shanghai (2013). He presented his works in many art institutes, including Harvestworks, New York; Power Station of Art, Shanghai; OCT - Contemporary Art Terminal, Shenzhen; UCCA Edge, Shanghai; Shanghai Duolun Museum of Modern Art; Shanghai International Dance Center; Chengdu Art Museum; Sound Art Museum, Beijing; Ming Contemporary Art Museum, Shanghai; Museum of Contemporary Art, Shanghai; Unsafe + Sound Festival, Vienna; Pingshan Art Museum, Shenzhen; Shanghai Urban Space Art Season; Hong Kong Cultural Centre, and etc.
Since 2011, Yin has been paying close attention to the artistic ecology of experimental music and sound art across China. Activities that he recently curated include: “Formant” (a sound art exhibition), “Sonic Transmission” (exchange project between Shanghai and Hong Kong), “Co-Sound” (sound performance festival), and etc. In 2012, Yin and choreographer Liu Yanan founded an artist-running alternative art space - BM Space. In 2013, he was invited by Rockbund Art Museum to curate “SAVAKA: Asia Experimental Music Currents,” which encompassed performance and conversation made with Asian artists. In 2015, OCT - Contemporary Art Terminal, Shanghai invited Yin to curate an interdisciplinary roundtable titled “Agora.” In 2023, he was invited by Rockbund Art Museum to curate “Composition For” in RAM Assembles. In 2024, he curated the exhibition “Listening Paths: Contemporary Sound Art Practices in China” at Shanghai Duolun Museum of Modern Art. In 2025, he was invited by West Bund Museum as a guest curator for the cultural researcher program “Shanghai Sound.”
For Yin Yi, art is a recipe of self-healing and a touchstone for thoughts and action.
