1970年生于比利时布鲁塞尔.露西亚·布鲁的雕塑装置与影像是一场微妙的对话，探讨着裸露物体的脆弱与其试图在周围空间中找到归属的意图。空间的细节——无论是真实存在，还是几近抽象的概念——在物体中被孤立、强调，并予以深刻的阐释。它们被赋予了一种纪念碑般的庄严，动摇了观者的稳定感，使他们更加敏锐地感受到自己在时间与空间中的存在。
在雕塑、绘画和影像等多重艺术领域，布鲁创造出独特的形式语言，根植于纯粹的几何法则，却又因她自身身体的真实而扭曲。她有意识地将人类的不安注入几何结构，为其抽象的视觉词汇增添了一种独特的叙事力量。她的作品是人类脆弱性的微小化身，仿佛是在抽象的空间中微弱一息。
共栖的理念始终是露西亚·布鲁创作中的核心追求。她在这场动态的探索中，灵活地试验着形态的不断变化，以决定它们的呈现。个体、一对、三个、群体、堆积与团块，这些都是构成宇宙的无尽方式，铭刻着存在的痕迹，温柔地肯定着生命的真实。
对布鲁而言，占据空间的行为如同一场交互的舞蹈，她的雕塑在与场所的关系中，显现出外在存在的可见与不可见。她以一种独特的方式重新定位这些作品，使之顺应归属的逻辑，展现出作品自我独立与其环境之间微妙的波动。每一次新的展览如同打开了一扇通往共存的新境界，作品的组合悄然绽放，邀请我们踏入全新的轨迹，探索未知的可能。
Born in 1970 in Brussels, Belgium. Lucia Bru's sculptural installations are a delicate dialogue between the vulnerability of the naked object and the surrounding space in which it tries to find its place. Spatial details — be they real or virtually abstract concepts — are isolated, accentuated, and elaborated in an object. They are given a monumentality, which destabilises the viewer and makes them more aware of their own body in time and space.
In disciplines including both sculpture and drawings, Bru creates her own unique form language, based on pure geometrical laws, yet distorted by the reality of her own body. She consciously adds human insecurity to geometrical structures, which lends a special narrative power to her abstract, visual vocabulary. Her objects are small incarnations of human vulnerability; they are a breath in abstract space.
The notion of cohabitation has always been a central preoccupation in Lucia Bru’s work. She maintains this dynamic, as she experiments with ever-changing associations of form, to decide on their presentation. Individuals, pairs, trios, groups, heaps, and masses are the many ways in which a universe can be composed, presences noted, and existences affirmed.
For Bru, the act of occupying space establishes interferences, which her sculptures maintain with the place, as well as the visible—or invisible—presence of exteriority. She does it in such a way that they are re-situated, compliant with a logic of belonging that renders visible an oscillation between the work’s affirmed autonomy and the relationship with the context of its appearance. Each new exhibition opens up new levels of co-existence, as ensembles unfurl and invite us into new trajectories.
