1961年生于香港，擅长以单幅戏剧的形式进行叙事，从而反映他独特的艺术观、宇宙观和人观。他作品中反映出的人，不是欲望的主体，也不是文化的动物；却是物质与灵性的糅合，是被赋予永恒意识而焦虑的有限存在。曾获第一届阮义忠摄影人文奖一等奖，阮义忠评论其作品“已不是容颜的留影，而是灵魂的肖像。”
冯君蓝的作品体现出对时间、空间和人类历史的兴趣，另有《道在万物（静物）》、《互为肢体》、《草芥》、《草书》、《道在瓦甓》、《骨中骨》等系列创作。
Born in 1961 in Hong Kong. The portrait work of Stanley may be seen as “poetic portrait of soul”, constructing a drama within a single frame, to tell a unique view of humanity. It is based on this view of humanity that each individual in his work is not an accident derived from a series of contingent coincidence in the vast universe, nor a Naked Ape, nor a subject of desire, nor cultural animal; yet a coalescence of substance and divinity – an anxious finite being endowed with eternal consciousness. He has won the first prize of the first Juan I-Jong Photography Humanities Award, and Juan I-Jong commented that his work is "no longer a portrait of the face, but a portrait of the soul." ”
In addition to the portrait work, Stanley has more series: “Still-life, The Word in All Things”, “Members”, “Mere Straw”, “Cursive”, “The Word in Forgotten Surfaces” and “Bone of Bones” photography. Also reflects Stanley his view of universe and humanity.
