1982 年生于中国，2006 年毕业于中国人民大学艺术学院，2009 年毕业于中央美术学院写意油画班，现生活工作于北京。
在涂曦的创作中，线条、笔触、色块，具备形式美的同时，又多了一些被信息蜂拥，数据侵蚀，技术改造的当下，人/艺术成为了数字时代破碎元素的现实，但同时又在一堆破碎中找到了一个潜藏的、 整体性秩序。同时，关于涂曦所呈现的植物、山脉等，是作为“自然 符号”或“景观符号”而存在。这些元素在他的表达中，不再是纯自然环境里的产物，而变成了一种图式和文化象征。当这种自然元素被放置在创作中，被涂曦以不同方式解构、建构之后，形成了一种基于 “技术”的人文反思。包含人与自然、人与技术、自然与人造物、假象与真实等等。
Born in 1982 in China, graduated from Renmin University of China School of Arts in 2006, and graduated from Central Academy of Fine Arts in 2009. Currently living and working in Beijing.
In Tu Xi's creations, lines, strokes, and color blocks, while possessing the beauty of form, also have a sense of being swarmed by information, eroded by data, and transformed by technology, people/art have become the reality of the broken elements of the digital age, but at the same time, they have found a latent, holistic order in the pile of brokenness. At the same time, the plants and mountains presented by Tu Xi exist as “natural symbols” or “landscape symbols”. In his expression, these elements are no longer purely products of the natural environment, but become a kind of pattern and cultural symbol. When these natural elements are placed in his creations, and deconstructed and constructed by Tu Xi in different ways, a humanistic reflection based on “technology” is formed. It includes man and nature, man and technology, nature and artifacts, illusion and reality, and so on.
