小沢刚 Tsuyoshi Ozawa ( b.1965 )

Photo: Courtesy of Artist Studio

1965年出生于东京,现居千叶县。

在东京艺术大学学习期间,他开始在风景中建立自制的地藏,并将其拍摄成照片,这一系列作品名为《地藏建立》。1993 年起,他开始创作使用牛奶箱的超小型移动式画廊《茄子画廊》和《咨询艺术》。1999 年,他创作了用酱油重新制作日本美术史名作的《酱油画资料馆》。自 2001 年起,他开始创作以女性持有用蔬菜制作的武器为主题的肖像照片系列《蔬菜武器》。2004 年,他在森美术馆举办了个展“同时回答 Yes 和 No !”,2009 年在广岛市现代美术馆举办了个展“透明跑者继续跑”,2018 年在千叶市美术馆举办了个展“不完全—平行的美术史”。2013 年,他首次在戏剧《光的没有。(序章?)》(作:艾尔弗里德·耶利内克)中担任舞台导演和美术设计。从 2013 年起,他开始创作“归来的”系列,这一系列作品以历史上真实存在的人物为题材,将事实与虚构相结合,构建出新的故事。他获得了第 69 届艺术选奖文部科学大臣奖(2019 年)。


Born in 1965 in Tokyo. Lives in Chiba.

As a student at Tokyo University of the Arts, Ozawa began his Jizoing series in which he photographs Jizo figures he created, situated in different environments. In 1993, he began his Nasubi Gallery series of portable, miniature galleries made from milk boxes, and Consultation Art. In 1999, he produced his Museum of Soy Sauce Art which is remakes of masterpieces from Japanese art history painted with soy sauce, and in 2001, began his Vegetable Weapon series which are photographic portraits of young women holding weapons made of vegetables. Ozawa held his first solo museum exhibition “Answer with Yes and No!” at the Mori Art Museum, Tokyo in 2004, followed by “The Invisible Runner Strides on” (2009) held at the Hiroshima City Museum of Contemporary Art, “Imperfection – Parallel Art History” (2018) held at the Chiba City Museum of Art. In 2013, he made his debut as a stage and artistic director for “Prolog?”, a play by Elfriede Jelinek. The recent “The Return of …” series feature a well-known historical figure in a fictionalized story combining paintings, video and music.

土地之维——广东水墨的六个样本

The Dimension of Land: Six Samples of Guangdong Ink Painting

2024.7.13—2024.9.22
空间站艺术中心 Space Station 北京