托马斯·萨拉切诺 Tomás Saraceno ( b.1973 )

1973年生于阿根廷，现居柏林。他的艺术项目有关生命形式与生命塑造的对话，致力于重新思考资本世时代的知识主线，并认识到多样化的存在方式如何涉及多重意义。二十多年来，萨拉切诺发起了多个开源、集体和跨学科项目，旨在重新思考大气的共同创造，包括Museo Aero Solar（2007至今）、Aerocene基金会（2015至今）和Arachnophilia，致力于追求生态社会正义，实现一个无碳排放的社会。

萨拉切诺与当地社区、科学研究人员和世界各地的机构合作，旨在寻求人类、技术和生物多样性之间更平等的平衡，并理解知识是在特定情况下产生的。他曾多次参与麻省理工学院艺术、科学与技术中心（2012至今）等驻地项目；在第20、21和26届联合国气候变化大会上提出艺术介入环境保护；并获得了科内克斯艺术与技术白金奖（2022）等。萨拉切诺一直是众多国际博物馆和机构举办个展和委任永久装置的选择，包括伦敦蛇形画廊（2023）；塔斯马尼亚新旧艺术博物馆（2022）；纽约 “棚屋”艺术中心（2022）；日本东田艺术中心（2021）；巴黎东京宫（2018）；布宜诺斯艾利斯现代艺术博物馆（2017）；K21北莱茵-威斯特法伦艺术品收藏斯坦德馆，杜塞尔多夫（2013）；纽约大都会艺术博物馆（2012）；柏林汉堡火车站美术馆（2011）。此外他还参与了诸多艺术节和双年展，包括第17届威尼斯建筑双年展（2020）以及第53届和第58届威尼斯双年展（2009，2019）。

Born in Argentina in 1973, currently lives in Berlin. He is an Argentina-born, Berlin-based artist whose projects dialogue with forms of life and life-forming, rethinking dominant threads of knowledge in the Capitalocene era and recognising how diverse modes of being engage a multiplicity of meanings. For more than two decades, Saraceno has activated open-source, collective and interdisciplinary projects aimed towards rethinking the co-creation of the atmosphere, including Museo Aero Solar (2007–), the Aerocene Foundation (2015–), and Arachnophilia, towards a society free from carbon emissions, for eco-social justice.

Saraceno’s work with local communities, scientific researchers, and institutions around the world, aims to seek out a more equal balance of human, techno and biodiversity, with the understanding that knowledge is produced from specific situations. He has held numerous residencies including MIT Center for Art, Science & Technology (2012–); has staged artistic interventions with COP20, COP21, and COP26; and received recognitions such as the Konex Platinum Award in Art and Technology (2022). Saraceno has been the subject of numerous solo exhibitions and permanent installations at museums and institutions internationally including the Serpentine Galleries, London (2023); Museum of Old and New Art, Tasmania (2022); The Shed, New York (2022); Towada Art Center, Japan (2021); Carte Blanche at Palais de Tokyo, Paris (2018); Museo de Arte Moderno, Buenos Aires (2017); K21 Kunstsammlung Nordrhein-Westfalen, Ständehaus, Dusseldorf (2013); the Metropolitan Museum of Art, New York (2012); and Hamburger Bahnhof – Museum für Gegenwart, Berlin (2011), and has participated in numerous festivals and biennales, including the 17th Venice Architecture Biennale (2020) and the 53rd and 58th Venice Biennales (2009, 2019).

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教育 Education：

2009 International Space Studies Program, NASA Center Ames, Silicon Valley, California, USA

2003-2004 Postgraduate on Art and Architecture, Progettazione e Produzione delle Arti Visive, IUAV, Venice, Italy

2001-2003 Staatliche Hochschule für Bildende Künste, Städelschule Frankfurt am Main, Frankfurt, Germany

1999-2000 Postgraduate on Art and Architecture, Escuela Superior de Bellas Artes de la Nación Ernesto de la Cárcova, Buenos Aires, Argentina.

1992-1999 Bachelor of Architecture, UBA - Universidad Nacional de Buenos Aires, Argentina

驻留 Residence：

2016 Goethe Institut, London, UK

2016 RAVE residency, Villa Manin, Udine, Italy

2014-2015 Centre National d’Études Spatiales (CNES), Paris, France

2012-ongoing MIT Center for Art, Science & Technology (CAST), Cambridge, USA

2010 Atelier Calder in Saché, France, (Recipient of Calder Price and Calder Residency). 2009 | Walker Art Center, Minneapolis, USA.

2003-2004 Hessische Kulturstiftung, Rotterdam, The Netherlands

个展 Solo Exhibition：

2024 Complementarities, Red Brick Art Museum, Beijing, China. Curated by Yan Shijie.

2024 Live(s) on Air, Tanya Bonakdar Gallery, Los Angeles, USA.

2024 Life of Webs, Espace Muraille, Geneva, Switzerland. Curated by Laurence Dreyfus.

2023 Tomás Saraceno in Collaboration: Web(s) of Life, Serpentine Galleries, London. Curated by Lizzie Carey-Thomas & Chris Bayley.

2023 Tomás Saraceno: Entangled Air, Haggerty Museum of Ar, Marquette University, Milwaukee. Curated by Somesh Roy.

2022 Tomás Saraceno: Ocean(s) of Air, Museum of Old and New Art, Hobart, Tasmania. Curated by Emma Pike and Olivier Varenne.

2022 Tomás Saraceno: Particular Matter(s), The Shed, New York. Curated by Emma Enderby. Silent Autumn, Tanya Bonakdar Gallery, New York.

2021 Inter+Play Season 2, Towada Art Center, Towada, Japan. Curated by Kodama Kanazawa and Meruro Washida.

2021 We do not all breathe the same air, neugerriemschneider gallery, Berlin, Germany.

2021 AnarcoAracnoAnacroArcano, Parco Archeologico della Neapolis, Syracuse, Italy. Curated by Paolo Falcone.

2021 Du Sol au Soleil, Domaine des Etangs, Massignac, France. Curated by Rebecca Lamarche- Vadel.

2020 Song for the Air, Hessisches Landesmuseum Darmstadt, Darmstadt, Germany. Curated by Martin Faass.

2020 Moving Atmospheres, Garage Atrium Commission, Moscow, Russia. Curated by Iaroslav Volovod.

2020 Event Horizon, Cisternerne, Copenhagen, Denmark. Curated by Sara Hatla Krogsgaard. Aria, Palazzo Strozzi, Florence, Italy. Curated by Arturo Galansino.

2020 Fly with Aerocene Pacha, a project by Tomàs Saraceno, produced by the Aerocene Foundation for CONNECT, BTS, curated by DaeHyung Lee. Human free-flight, Salinas Grandes, Argentina; Film screenings and exhibition “Vuela con Aerocene Pacha”, Centro Cultural Kirchner, Buenos Aires.

2019 Algo-r(h)i(y)thms, Esther Schipper Gallery, Berlin, Germany. Tomás Saraceno, Gallery Hyundai, Seoul, Korea.

2019 Tomás Saraceno, Tanya Bonakdar Gallery, Los Angeles, USA.

2018 ON AIR, Palais de Tokyo, Paris, France. Curated by Rebecca Lamarche-Vadel. Albedo, Pinksummer Contemporary Art, Genoa, Italy.

2018 Solar Rhythms, Tanya Bonakdar Gallery, New York, USA.

2018 A Thermodynamic Imaginary, MAAT, Museum of Art, Architecture and Technology, Lisbon, Portugal. Curated by Pedro Gadanho and Rita Marques.

2018 Aerographies, Fosun Foundation, Shanghai, China.

2017 Gravitational Waves, Z33, Genk, Belgium. Curated by Jan Boelen.

2017 Entangled Orbits, Baltimore Museum of Art, Baltimore, USA. Curated by Kristen Hileman. Event Horizon, Ruth Benzacar Gallery, Buenos Aires, Argentina.

2017 Our Interplanetary Bodies, Asia Culture Centre, Gwangju, South Korea. Curated by Sung Won Kim.

2017 Aerosolar Journeys, Museum Haus Konstruktiv, Zürich, Switzerland. Curated by Sabine Schaschl.

2017 How to entangle the universe in a spider web, Museo de Arte Moderno, Buenos Aires, Argentina. Curated by Victoria Noorthoorn.

2017 Re-opening In Orbit, K21 Ständehaus, Düsseldorf, Germany. Curated by Juliane Von Herz. Aerosolar Journeys, Wilhelm-Hack Museum, Ludwigshafen, Germany. Curated by René Zechlin.

2016 Stillness in Motion. Cloud Cities, SFMOMA, San Francisco Museum of Modern Art, San Francisco, USA. Curated by Joseph Becker.

2016 163,000 Light Years, MARCO, Museum for Contemporary Art, Monterrey, Mexico. Curated by Gonzalo Ortega.

2016 Solar Bell Ensemble, Contemporary Arts Center, Cincinnati, USA. CAC Director Raphaela Platow.

2016 Aerocene, Esther Schipper, Berlin, Germany.

2016 Many suns and worlds, Vanhaerents Art Collection, Brussels, Belgium. Commissioned by the Vanhaerents family.

2016 Dark Cosmic Web, Pinksummer Contemporary Art, Rome, Italy.

2016 Cloud City installation, Oklahoma Contemporary Arts Center, Campbell Art Park, Oklahoma City, USA.

2015 Aerocene, Solutions COP21, Grand Palais, Paris, France, United Nations Climate Change Conference COP21.

2015 Aerocene, Espace Muraille, Geneva, Switzerland. Curated by Laurence Dreyfus, Caroline and Eric Freymond.

2015 Arachnid Orchestra. Jam Sessions, NTU Centre for Contemporary Art, Singapore. Curated by Ute Meta Bauer and Anca Rujoiu.

2015 Becoming Aerosolar, Haus21er, Vienna, Austria. Curated by Mario Codognato.

2015 14 Billions (Working Title), SKMU Sørlandets Kunstmuseum, Kristiansand, Norway. Curated by Else-Brit Kroneberg.

2015 Hybrid solitary... semi-social quintet... on cosmic webs…, Tanya Bonakdar Gallery, New York, USA.

2014 Cosmic Jive, Tomás Saraceno: The Spider Sessions, Villa Croce, Genoa, Italy. Curated by Ilaria Bonacossa and Luca Cerizza.

2014 Iridescent Planet, Pinksummer Contemporary Art, Genoa, Italy.

2014 Real DMZ Project, Cheorwon Peace Observatory, DMZ, South Korea. Co-curated by Sunjung Kim and Nikolaus Hirsch.

2013 In Orbit, K21 Ständehaus, Düsseldorf, Germany. Curated by Marion Ackermann and Susanne Meyer-Büser.

2013 Social .. Quasi Social .. Solitary .. Spiders … On Hybrid Cosmic Webs, Esther Schipper Gallery, Berlin, Germany.

2013 Tomás Saraceno, Andersen’s Contemporary, Copenhagen, Denmark.

2012 Cloud City, Roof Garden Installation, Metropolitan Museum of Art, New York, USA. Curated by Anne L. Strauss.

2012 On Space Time Foam, HangarBicocca, Milan, Italy. Curated by Andrea Lissoni. Cloud Cities, Maison Hermès, Tokyo, Japan. Curated by Rodrigo Alonso.

2012 Tomás Saraceno, Taidehalli Kunsthalle Helsinki, Finland. Curated by Maija Koskinen. Air-Port-City/Cloud Cities, Tanya Bonakdar Gallery, New York, USA.

2011 Cloud Cities, Hamburger Bahnhof-Museum für Gegenwart, Berlin, Germany. Curated by Britta Schmitz.

2011 Cloud-Specific, Kemper Museum of Contemporary Art, St. Louis, USA. Curated by Meredith Malone.

2011 Cloudy Dunes. When Friedman Meets Bucky On Air-Port-City, MACRO, Museo d'Arte Contemporanea, Rome, Italy. Curated by Luca Massimo Barbero.

2011 Labor, K20 Grabbeplatz, Nordrhein-Westfalen, Düsseldorf, Germany. Director Marion Ackermann.

2010 Cloud Cities: Connectome, Tanya Bonakdar Gallery, New York, USA.

2010 14 Billions (working title), Bonniers Konsthall, Stockholm, Sweden. Contributors: Sara Arrhenius, Helena Granström, Jeffrey Kastner, Hans-Ulrich Obrist.

2010 Cloud-Cities, Pinksummer Contemporary Art, Genoa, Italy.

2010 Tomás Saraceno, Baltic Centre for Contemporary Art, Gateshead, UK. Curated by Alessandro Vincentelli.

2010 Sculpture project ROSSMARKT3, Frankfurt, Germany. Curated by Juliane von Herz.

2010 Tomás Saraceno: Lighter than air, Blaffer Art Museum, University of Houston, USA. Curated by Yasmil Raymond.

2010 From Camogli to San Felipe, spiders weaving stars, Fondazione Pierluigi e Natalina Remotti, Camogli, Italy.

2010 Tomás Saraceno, Andersen's Contemporary, Copenhagen, Denmark.

2009 Tomás Saraceno: Lighter than air, Walker Art Center, Minneapolis, USA. Curated by Yasmil Raymond.

2009 Biosphere, Statens Museum for Kunst, Copenhagen, Denmark (in the framework of the cycle«RETHINK Relations»). Collaboration between the National Gallery of Denmark, Nikolaj Copenhagen Contemporary Art Centre, Den Frie Centre of Contemporary Art and The Alexandra Institute.

2009 Tomás Saraceno, MUDAM Musée d‘Art Moderne Grand-Duc Jean, Luxembourg (in the framework of the cycle «Habiter»). Commissioned by Marie-Noëlle Farcy.

2009 Cloudy House, Andersen's Contemporary, Berlin, Germany.

2008 Galaxies forming along filaments, like droplets along the strands of a spider webs, Tanya Bonakdar Gallery, New York, USA.

2008 Cloudy Dunes, Fondazione Garrone, Genoa, Italy.

2007 Opening, AEREA Christian Larsen, Stockholm, Sweden.

2007 Biosphere MW32 Air-Port-City, Pinksummer Contemporary Art, Genoa, Italy.

2007 Air-Port-City, De Vleeshal, Middelburg, The Netherlands.

2007 Microscale, Macroscale and Beyond: Large-Scale Implications of Small-Scale Experiments, Berkeley Art Museum, Berkeley, USA.

2006 Air-Port-City, Tanya Bonakdar Gallery, New York, USA. Cumulus, Barbican Art Centre, London, UK.

2006 On Water, Centre d’Art Santa Monica, Barcelona, Spain.

2006 Cloudy Dunes_Air-Port-City, Attitudes - espace des arts contemporains, Geneve, Switzerland. Infinitive Actives, Portikus, Frankfurt, Germany.

2004 On-Air, Pinksummer Contemporary Art, Genoa, Italy.

2003 In-migration, University of Kaiserslautern, Kaiserslautern, Germany.

2000 612 Planetas, Parque Planetario, Buenos Aires, Argentina.

1998 Luces de estrella, Escuela Nacional de Bellas Artes Ernesto de la Cárcova, Buenos Aires, Argentina.

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托马斯·萨拉切诺 Tomás Saraceno ( b.1973 )

边界——星美术馆开馆展第三季

托马斯·萨拉切诺：共生

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托马斯·萨拉切诺 Tomás Saraceno ( b.1973 )

边界——星美术馆开馆展 第三季

托马斯·萨拉切诺：共生

边界——星美术馆开馆展第三季