1935年出生于基尔，是德国当代抽象绘画艺术家，哲学家和艺术史家。自1969年以来，他致力于“色彩绘画”的概念的研究。从1971年至1985年，他在美因河畔法兰克福国立美术学院（Städelschule）担任自由绘画和艺术理论教授，并担任院长。对他来说，颜色不仅是颜色，形状不仅是任何形状，而且始终将生命放在首位。他试图通过他的艺术来追踪这种固有的生活。现今88岁的乔奇姆斯工作和生活于在美因河畔法兰克福附近的Maintal。
他一直致力于绘画沉思，以及基于过程的抽象。他的作品是在60年代和70年代参与单色和光学绘画运动后发展起来的。从1973年开始，他独特的形状绘画源于对材料中特殊形状的研究观察，如佛像，波利尼西亚祖先雕像，阿兹特克陶器，埃及雕塑和中国古典画。他巧妙地使用材料的痕迹来创作新的自主作品，而没有任何明显的参考来源。他的方法忽略了历史和地理差异，将最终形成的形状同化为创新的抽象陈述。
Born in Kiel in 1935, he is a German contemporary abstract painter, philosopher and art historian. Since 1969, he has been working on the concept of "color painting". From 1971 to 1985, he worked as a freelance professor of painting and art theory at the National Academy of Fine Arts (Städelschule) in Frankfurt am Main and served as dean. For him, color is not just color, shape is not just any shape, but life is always put first. He tries to trace this inherent life through his art. Today, 88-year-old Joachims works and lives in Maintal near Frankfurt am Main.
He has always been committed to painting contemplation, as well as process-based abstraction. His work developed after his involvement in the monochrome and optical painting movements in the 60s and 70s. From 1973, his unique shape painting stems from the study of special shapes in materials, such as Buddha statues, Polynesian ancestral statues, Aztec pottery, Egyptian sculptures and classical Chinese paintings. He cleverly uses traces of materials to create new autonomous works without any obvious reference sources. His approach ignores historical and geographical differences, assimilating the resulting shapes into abstract statements of innovation.
群展 Group Exhibition：
