梁琛 Liang Chen

Photo: Courtesy of G Museum

建筑师、艺术家,1987年生于辽宁丹东,2011年毕业于吉林建筑工程学院,获建筑学学士。2011—2015年工作于直向建筑,任理事;作为项目建筑师完成阿那亚三联海边图书馆(“孤独图书馆”)。2017年开始独立建筑与艺术实践,成立工作室阿莱夫时空研究所(www.aleph-liangchen.com),目前工作、生活在北京。

在建筑和艺术的双重实践中,梁琛关注一个确定集合(具体概念、物体、空间等)在时间上长时段、多时段、大尺度的流变与时空积累。自2013年开始,梁琛在对家乡辽宁丹东长时段、多时段的观察研究与自我分析中层层推进,构建起他创作的起点和源泉。基于近年来在丹东、额尔古纳、新疆等地丰富的地方文化研究和建筑实践,梁琛亦发起了以艺术、建筑、人类学等跨学科研究为基础的“边界计划”。聚焦于知识生成与交换之前沿的边境地带,他试图以跨学科的视角管窥更为广阔复杂的文化、历史、语言和社会心理的边界。


An architect, artist, born in Dandong, Liaoning, China, in 1987. He graduated with a degree of Bachelor of Architecture from Jilin Jianzhu University. From 2011 to 2015, as a former associate and senior project architect at Vector Architects, Liang completed projects including Aranya Seashore Library. In 2017, Liang established his independent architecture and art studio Aleph-Liangchen (www.aleph-liangchen.com), Currently working and living in Beijing.

Liang focuses on the flow and temporal accumulation of a definite collection (a specific concept, object, space, etc.) over a long period, multiple periods, and large scale in his dual practice of architecture and art. Since 2013, he began to observe his hometown Dandong, Liaoning, in the aforementioned way, which anchored the departure point and source for his work. Built on his research and project experience in Erguna, Dandong and Xinjiang, Liang initiated interdisciplinary research "Border Project" in art, architecture, and anthropology, which focuses on geographical borders, namely the forefront of knowledge production and exchange, to further explore the broader borders of culture, history, language, and social milieu.



教育 Education:

2011   毕业于吉林建筑工程学院,获建筑学学士



个展 Solo Exhibitions:

2019   阿莱夫,A4 美术馆,成都,中国

2019   Project Aleph 2.0,阿那亚,北戴河,中国

2017   Project Aleph,阿那亚,北戴河,中国



群展 Group Exhibitions:

2023   作为中心的边缘:东北亚的界河、桥梁与记忆空间,金鹰美术馆,南京,中国

2018   游牧简史,前抄手22 号院,北京,中国

2019   3 厘米博物馆,chi K11,沈阳,中国

2019   空间催眠计划-27 号院,内务部街27 号,北京,中国

2019   溯与承,尤伦斯当代艺术中心,北京,中国

2009   月相,尤伦斯当代艺术中心,北京,2009

作为中心的边缘:东北亚的界河、桥梁与记忆空间

Edges as the Center: Riverine Borders, Bridges and Memory Spaces between China, Mongolia, North Korea and Russia

2023.12.17—2024.5.11
金鹰美术馆 G Museum 南京