1985年出生，2011年毕业于中央圣马丁纯艺术专业，2019年肄业于皇家艺术学院雕塑系。现工作生活于上海。
田牧的实践涉及绘画，雕塑，影像和装置等媒介，通过探索材料和生产技术方法，探讨了人和物质世界的极限，以及个人精神的感受。他的作品从当下流行文化以及神话中思考数码科技所带来的具身和精神认知，质疑人与机器之间的交流如何反映当代人的现状，科技对我们看待事物方式的改变以及技术带来的不可预见的脆弱性。也许人类之后已被动物所取代，而科技泛灵论则被认为是迷信的。在这个不断创造，消亡，重建的周期里引导着未来的构建和生产。
Born in 1985, graduated from Central Saint Martins with a degree in Fine Arts in 2011, and graduated from the Sculpture Department of the Royal College of Art in 2019. Currently works and lives in Shanghai.
Tian Mu’s practice spans paintings, sculptures, videos, and installations, with advanced technological methods of production such as 3D rendering/scanning, biological and commodity forms. He probes the limits of the human body and the material world to interrogate the unforeseen vulnerabilities brought on by technology. His work examines the embodiment of human projection and spiritual characteristics from subculture and myth. Questioning how person-to-machine exchanges reflect the contemporary human condition. Perhaps humankind is replaced by animals, and technological animism is taken on the mystical and the superstitious. and these cycles of creation, extinction, rebuild guides the future construction and production.
